At the Pambatti Siddhar Shrine, there is a unique rock formation resembling a snake. It is believed that Lord Murugan appeared to Pambatti Siddhar in the form of a serpent and this serpent is revered and worshiped as an embodiment of Lord Murugan.
Behind this shrine, there are three pedestal-like structures representing Lord Shiva, Lord Ganesha, and Goddess Ambika, which are also objects of devotion.
It is customary to see Lord Murugan seated between Lord Shiva and Goddess Parvati in most shrines, but at this particular shrine, it is special to find Lord Ganesha positioned between his divine parents.
This distinctive arrangement adds to the sanctity and significance of the Pambatti Siddhar Shrine, making it a revered place of worship for devotees seeking the blessings of Lord Murugan and other deities.
Maruthachala Murthy
The deity Lord Murugan is also referred to as ‘Marudachala Murthy‘ at this sacred site, as he is considered the protector and benefactor of the hill.
The hill is abundant with medicinal trees and healing herbs, hence the name ‘Marudachala’ which signifies the healing properties of the hill. The theertham, or holy water, at this temple is known as Maruthu Sunai, and it has gained widespread popularity among devotees.
It is believed that this theertham flows from beneath a mangrove tree on the hill and is used for anointing the idol of Subramanya Swamy.
The significance of Maruthu Sunai adds to the sanctity of the temple and reinforces the association of Lord Murugan with the healing powers of nature, making the temple a revered place for seekers of divine blessings and wellness.
Aadhi Murugan
Unlike most ancient Shiva temples where Lord Shiva is considered self-existent, at this particular temple, Lord Murugan is believed to be self-existent along with his consorts Valli and Deivana, who are also considered self-existent.
The unique feature of this temple is that Lord Murugan has a split on his back, and the Goddess Valli is depicted as taller, while Deivana is portrayed as slightly shorter. This is referred to as the “Aadhi Moolastanam” or the original and primary form of Lord Murugan in this temple.
After the first pooja, which is performed for the self-existent Lord Murugan, the pooja for the main Murugan idol, which was carved by Pambatti Siddhar, takes place. This adds to the special significance and reverence of the temple, making it a cherished place of worship for Lord Murugan’s devotees.
Pancha Vriksha Ganesha
In general, Lord Ganesha is usually depicted under a peepal tree. However, in this particular setting, he can be found under five different types of trees, namely Peepal, Fig, Neem, Vanni, and Korakottai, which is why he is known as Pancha Vriksha Ganesha. Nearby, Lord Murugan is seated on his majestic peacock, wielding a sword in his hand, signifying his valor and bravery.
This unique portrayal of the deities amidst a diverse array of trees adds a special significance to this depiction, symbolizing the importance of nature and its elements in Hindu mythology.
Somaskandar
The depiction of Lord Murugan seated between Lord Shiva and Goddess Parvati is known as Somaskandar. In this portrayal as well, Lord Murugan is positioned in the center, flanked by Lord Shiva and Goddess Parvati, which is why he is referred to as Somaskandar.
This particular depiction showcases the close relationship between the divine family, with Lord Murugan being a beloved son of Lord Shiva and Goddess Parvati.
The name “Somaskandar” holds significance in Hindu mythology and conveys the bond between the deities in a powerful and symbolic manner.
Self-Existent Ganesha
Enroute to the Maruthamalai temple, there is a shrine dedicated to the “Self-existent Ganesha” located at the foothills. This unique depiction of Lord Ganesha features only his elephant’s head without a body, with his trunk reaching towards the Murugan shrine atop the hill. Adjacent to it, another Ganesha statue is present.
As per tradition, devotees first perform puja for the self-existent Ganesha before proceeding to worship Lord Murugan. It is believed that this special Ganesha shrine holds significance as a precursor to seeking the blessings of Lord Murugan, adding a distinct ritualistic aspect to the pilgrimage to Maruthamalai temple.
Lord Murugan on Horseback
In certain villages, despite Lord Murugan’s traditional vehicle being a peacock, during festivals, he is depicted riding a horse in some temple depictions. This unique portrayal has an interesting backstory.
Legend has it that in the past, thieves had stolen precious objects from the temple and fled. Lord Murugan, upon learning of this, rode a horse and chased after the thieves, recovering the stolen items and returning them to the temple.
As he rode the horse with incredible speed, a ditch was formed where the horse’s hooves had touched the ground, leaving a trail on a cliff in the hills. This stone is now known as the “horse hoof stone” and is considered a sacred symbol of Lord Murugan’s valor and vigilance in protecting the temple from theft.
Viboothi or Holy Ash as Offering
Pambatti Siddhar, a revered spiritual figure, is not adorned with opulent decorations. Instead, he is adorned with the sacred Holy Ash (Viboothi), symbolizing a simplistic way of life. This signifies the belief that humans should embrace simplicity and avoid excessive materialistic indulgence.
The absence of luxury decorations in Pambatti Siddhar’s worship reflects the notion of leading a modest and unpretentious existence, emphasizing the importance of humility, detachment from worldly desires, and prioritizing spiritual pursuits over materialistic pleasures. It serves as a reminder of the value of simplicity and contentment in one’s journey towards enlightenment and self-realization.